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Running Away 2:300:00/2:30
Bio
KARL "Jeremy uno" treier
The History
Karl “Jeremy Uno” Treier’s first exposure to electronic music that he remembers was listening to Jean Michel Jarre’s Oxygene on Top of the Pops in 1977. Then as a teenager in the late 70’s and early 80’s he became an avid fan of the burgeoning English electronic pop scene, buying vinyl from bands such as Tubeway Army, Gary Numan, OMD, Ultravox, John Foxx, Sparks, Kraftwerk, and Depeche Mode to name just a few.
His first exposure to a music keyboard was around the same time when his parents bought him a rather quirky device, a combination of an electronic organ, cassette tape, radio, microphone, and drum machine. Struggling to learn how to play it, a few years later he sought out lessons at the local Organ and Piano shop, and it was there he saw his first real synthesizer, and ARP Odyssey Mk I. Convincing the owner to sell it to him for a mere £250.
Fast forward a mere forty or so years and you arrive here, now. Jeremy’s passion for synthesizers has blossomed into a full-on obsession, and that obsession has grown into the desire to build the ultimate electronic music project studio. Jeremy is focused less on publishing his own music and more on the goal of mastering electronic music recording and engineering techniques, and synthesizer programming.
Oh, and yes, the studio includes a Behringer clone of the famous ARP 2600, a predecessor to the ARP Odyssey, Despite the sea of of more sophisticated surrounding options it’s still one of his favorite synthesizers.